Brett Morgen’s Chicago 10 is an unique cinematic mashup: one part deadly-serious political documentary, another part trippy and iconoclastic animated docudrama. Throw in an anachronistic soundtrack -- ranging from symphonic movie music to Rage Against the Machine, Billy Preston to Eminem, Black Sabbath to the Beastie Boys -- and you’d think the filmmakers would have had a hit on their hands on the college/midnight movie circuit. But for various reasons an Opening-Night Premiere at the 2007 Sundance Film Festival didn’t translate into theatrical success: the film largely came and went upon its release in the spring of 2008.
The DVD market gives some quality movies a second life, however. Perhaps the late-August release of Chicago 10 on video will help it find new audiences around the country. What’s more, Chicago 10 is scheduled for a free-TV debut on PBS’s Independent Lens documentary series this October 22nd. Its story revisits the events surrounding the Democratic National Convention of 1968 in Chicago -- a site of mass demonstrations against the Vietnam War and violence caused by police and state officials -- and the subsequent trial of 8 dissident organizers on charges of conspiracy to incite riot across state lines and violations of the 1968 anti-riot act.
